Tuesday, January 24, 2017


Baudrillard, Jean. 1983. Simulations. New York City, N.Y., U.S.A.:
      Semiotext(e), Inc.

Benjamin, Walter, Hannah Arendt, and Harry Zohn. 1968. Illuminations. New
      York: Harcourt, Brace & World, 254.

Bhabha, Homi K. 1994. The location of culture. London: Routledge.

Bhabha, Homi. "Of Mimicry and Man: The Ambivalence of Colonial Discourse.
      October 28 (1984): 125-33. doi:10.2307/778467.

Carolyn S. 1996. “Copied carts: Spanish prints and colonial Peruvian
      paintings.” Art Bulletin 78, no. 1: 98. Academic Search Premier,
      EBSCOhost (accessed December 13, 2016). 102

Carlos, Fuentes. 1992. The buried mirror: reflections on Spain and the New

Don Santo, Colonial Photoshop Software Manual.

Foucault, Michel, Mauro Bertani, Alessandro Fontana, François Ewald, and
      David Macey. Society Must Be Defended: Lectures at the Collège De
      France, 1975-76. New York: Picador, 2003.

Gonzalo, Haristoy. "Las historias paranormales tras el Cristo
      de mayo." Cristo de mayo: entre mitos, temblores y milagros | Noticias
      Santiago | CIVICO.com. January 27, 2017. Accessed February 01, 2017.

Gruzinski, Serge, and Heather MacLean. 2001. Images at war: Mexico from
      Columbus to Blade Runner (1492-2019). Durham: Duke University Press.

Http://larepublica.pe. "El Cristo que fue robado." Larepublica.pe. August 30,
      2005. Accessed January 13, 2017. http://larepublica.pe/30-08-2005/el-

Jay, Martin, and Sumathi Ramaswamy. 2014. Empires of vision: a reader.

Jose de Mesa and Teresa Gisbert. "Angelic Ways." Franco MariaRicci (FMR), no.
      85 (1997): 32.

Joseph J Rishel and Suzanne L. Stratton-Pruitt. 2006. The arts in Latin
      America, 1492-1820. Philadelphia, PA: Philadelphia Museum of Art.

Katzew, Ilona, and Luisa Elena Alcalá. 2011. Contested visions in the Spanish
      colonial world. Los Angeles: Los Angeles County Museum of Art.

Kennedy, Dane Keith. 2016. Decolonization: a very short introduction.

Lambert-Beatty, Carrie. "Make-Believe : Parafiction and Plausibility." 
      October 129 (2009): 51-84. http://www.jstor.org/stable/40368563.

Mariátegui, José Carlos. 1971. Seven interpretive essays on Peruvian reality.
      Austin: University of Texas Press.

Matheson, Whitney. "'Accidentally Preserved': Rare silent films come to DVD."
      USA Today. January 22, 2014. Accessed February 14, 2017.

Nelson, Robert S., and Richard Shiff. 1996. Critical terms for art history.
      Chicago: University of Chicago Press.

Palmer, Gabrielle G., and Donna Pierce. 1992. Cambios: the spirit of
      transformation in Spanish colonial art. [Santa Barbara, Calif.]: Santa
      Barbara Museum of Art in cooperation with University of New Mexico      Press.

Said, Edward W. 1993. Culture and imperialism. New York: Knopf.

Scott, James C. 1998. Seeing like a state: how certain schemes to improve the
      human condition have failed. New Haven: Yale University Press.

STANFIELD-MAZZI, MAYA. 2013. Object and Apparition Envisioning the Christian
     Divine in the Colonial Andes. TUCSON: University of Arizona Press.

Sturken, Marita, and Lisa Cartwright. 2009. Practices of looking: an

      introduction to visual culture. New York: Oxford University Press.

No comments:

Post a Comment